Kiss Tribute Hotter Than Hell
- 23 Sep
£9 members/advanced tickets available from Arden Rd, The Grayston Unity, Revo Records & www.doghouseuk.com
“You won't hear another band like this anywhere between now and the end of the millenium. The Lovely Eggs are just brilliant!”- Huw Stephens, Radio One
“They have the off the wall look that is perfect pop and the cutting stripped down dynamic of a cool art crew in love with underground rock n roll”- John Robb
“This my friends is fucking brilliant. it’s grunge – but not as you know it”- Everett True
The Lovely Eggs are an underground punk rock duo from northern England.
They have a fierce punk rock ethos that music should have no rules.
For Holly and David being in a band is a way of life. True to this, they live the way they play. Fiercely, constantly in search of the good times. With observational and often surreal lyrics about life The Lovely Eggs have a powerful stripped down sound: one vintage guitar amp, one Big Muff distortion pedal, a guitar and a drum kit. With releases in the UK, Europe, USA and Japan, The Lovely Eggs have played hundreds of gigs around the UK, USA and Europe supporting the likes of Half Japanese, Shonen Knife, The Slits, Young Marble Giants, The Television Personalities and Art Brut as well as a two month tour of America and a string of dates at SXSW in Austin, Texas.
The Lovely Eggs have recorded sessions for BBC Radio One, BBC 6 Music and XFM as well as being played by a host of UK DJs including Radio One's Huw Stephens and Rob da Bank and 6 Music's Marc Riley, Steve Lamacq, Tom Robinson, Gideon Coe, Chris Hawkins, Tom Ravenscroft and XFM's John Kennedy.
Holly (guitar/vocs) and David (drums/vocs) have also worked with comedian Graham Fellows (aka John Shuttleworth) as well as Jad Fair from the seminal Texas band Half Japanese. Their songs appear in Canadian film Molly Maxwell and have been sampled by Zane Lowe for Scroobius Pip. The pair also feature on a Radio 4 Richard Brautigan documentary, presented and in discussion with Jarvis Cocker contemplating the influence of the American surreal author on their music.
They have produced three albums.
The Lovely Eggs have become well known for their live performances and have played everywhere from Amsterdam squats and Los Angeles scrap yards to steam trains in Ripley and charity shops in Leeds.
In April 2013, the pair had a baby but true to their 'no rules' philosophy they bundled their newest member in the van and took him on tour with them, racing round the UK with family and friends like a tripped out version of On The Buses with two fingers up to conventional family life firmly out of the window.
2015 saw The Lovely Eggs return with their fourth self-produced and self-recorded album 'This is Our Nowhere': a title which sums up their celebration and love of a scene which doesn’t exist in the eyes of the manufactured mainstream. Ironically the record received 8/10 in the NME.
The Lovely Eggs live in Lancaster, England.
Nervous Twitch are a four-piece from Yorkshire described as “a winning, fuzzy blend of garage-punk and pop hooks” mixing bands like The Ramones, Au Pairs, The Cramps, Talulah Gosh, Blondie and Thee Headcoats and pumping out "catchy songs full of hooky heartbreak, rumbling twang, post-punk-ish attitude and warm bouncy rock n' roll”.
In March 2016, they performed a live session for Marc Riley on his BBC 6 Music show and received airplay on Steve Lamacq and Gideon Coe shows. Since 2013, Twitch have played gigs with familiar names including Sleaford Mods, Fat White Family, The Lovely Eggs, Shopping and Kid Congo Powers and the Pink Monkey Birds. Recent releases include two albums on Odd Box Records, “Get Back In Line” (2015) and “Don’t Take My TV” (2016) and two 7” singles on Punk Fox Records.
Hey, we're a new band fresh out of Halifax -We've been together for around a year now, but we have a number of gigs under our belt, gaining attraction from Radio 6 Bands and Local Promoters. Hiding behind our back is our secret weapon, our debut EP and single. Please handle it with care, give it a spin and tell us what you think about it.
The one and only.....
Hailing from Canvey Island, Essex, they are best known for early singles like "Back in the Night" and "Roxette". Although their most commercially productive years were the early to mid 1970s, they continue to tour and record to this day. The group's original distinctively British R&B sound was centred on Wilko Johnson's choppy guitar style. Along with Johnson, the original band line-up included singer Lee Brilleaux and the rhythm section of John B. Sparks, known as "Sparko" on bass guitar and John Martin, known as "The Big Figure", on drums. Like many pub rock acts, Dr. Feelgood were known primarily for their high energy live performances, although studio albums like Down by the Jetty (1974) and Malpractice (1975) were also popular. Their breakthrough 1976 live album, Stupidity, reached number one in the UK Albums Chart (their only chart-topper). But after the follow-up Sneakin' Suspicion, Johnson left the group due to perceived conflicts with Lee Brilleaux. He was replaced by John 'Gypie' Mayo. With Mayo, the band was never as popular as with Johnson, but still enjoyed their only Top Ten hit single in 1979, with "Milk and Alcohol".
Since releasing their first single Roxette in 1974, Dr Feelgood proved they have a back catalogue to stand the test of time. Members of the audience young enough to know the music only through their parents and even grandparents got the chance to celebrate with the fans who were wild enough to be there first time around.
THE BLIND DEAD McJONES BAND
Blind Dead McJones was never a fan of being in the spotlight, no number 1 singles, cheesy videos or appearances on celebrity cooking programmes. A true Bluesman in every sense of the word, living a life on the road shrouded in mystery. Some say he died years ago in an agriculture related accident, some say he is part of the keyzer soze family and some say he now makes Halloween costumes for dogs. One thing we know for sure is he is responsible for bringing together the blues rock behemoth that is The Blind Dead McJones Band.
Back in 2008 McJones was a lost and tortured soul, wandering the earth just like Kane in Kung Fu. Battling with his demons and struggling to keep going through the Hell that is the music business. All he needed was a friendly face, a pack of smokes and something to help him once again shake the earth to its very core, bring grown men to tears, turn sophisticated women once again into sreaming schoolgirls, and well and truly cement his place alongside the Gods.
He found all this and more when he met…
Ben “Buddy” Slack – Andy “The Cake” Johnson – Steve “Wee-Man” Nixon
“The Boys” are three of the finest young musicians in their price range. Nobody knows exactly why McJones decided to switch from working with battle hardened top of the line professional musicians to these three. Maybe it was their youthful enthusiasm, their quirky sense of humour, their undying love of the music and performing, the raw magnetism of Ben’s beard, most likely he was just a bit strapped for cash. Whatever his reasons were he took the boy’s under his wing like a goddamn chicken and educated them in his ways, raised them as his own and turned them into the best backing band he could afford.
The Story doesn’t end there though.
The debut performance of The Blind Dead McJones Band came around and you’d never guess what happened! The great Blind Dead McJones failed to show! This left the Boy’s in what could be classed as a “tricky situation”, what’s a backing band to do with no one to back? The Boy’s decided to simply play and have some fun. Guitarist Ben “Buddy” Slack donned his best McJones vocal impression and they winged a performance to a mediocre reaction from a confused crowd.
This is how our tale has continued over the years with McJones absence being one of the most consistent elements of The Blind Dead McJones Band. The Boy’s have embraced this with open arms and relished the opportunity to develop themselves as a 3 piece band. They’ve taken the great blues lessons learnt from McJones and infusing them with their other influences and quirky sense of humour to create their own original sound.
McJones seems happy with the arrangement as well, acting as a silent partner in the bands development. Advising the boys on all things blues and still making the occasional cameo appearance.
Halloween fancy dress and make up optional.
TICKET ONLY.... on sale from February 11th. Entry £16.
Available from Arden Rd Social Club, online and Halifax outlets as yet to be arranged.
Doors 7.00pm, first band on stage 8pm sharp.
Late bar serving a selection of real ales, lagers, fine wines and spirits.
Pie-Eck artisan pies, peas and gravy available at this event.
Plenty of free off-road car parking.
Arden Road Social Club - Archway Rooms
£8 advance & members. £10 on the night, tickets available from Arden Rd, The Grayston Unity, Revo Records & www.doghouseuk.com
Very pleased to have Harp & A Monkey join us on the back of their critically acclaimed new album. Upstairs in the Archway Room so limited capacity.
SONGS about cuckolded molecatchers, a lone English oak tree that grows at Gallipoli, care in the community and medieval pilgrims… we can only be talking about the folk experimentalists Harp and a Monkey.
The harp ‘n’ banjo driven electro-folk-storytelling of Martin Purdy (vocals, glockenspiel, accordion, harmonica and keyboards), Simon Jones (harp, guitar, viola) and Andy Smith (banjo, melodica, guitar and programming) is imbued with a deep Lancashire sensibility that shines through in their beautifully crafted and sometimes spooky vignettes of northern life, love and remembrance.
The outfit, who have been friends for more than 20 years, channel the ghosts of summers spent in municipal parks and winters walking on the moors. Ask them about their influences and they are as likely to cite Ordnance Survey maps and the Commonwealth War Graves Commission as they are Bert Jansch, Bjork or Bellowhead.
Formed in 2008, Harp and a Monkey have been building up a loyal following via the old fashioned practice of relentless gigging and modern practice of social network sites.
Regulars on the northern festival circuit, in recent years they have expanded their live outreach across the country. The band are particularly proud of the fact that they have gained a strong reputation for building an excellent rapport with their live audiences and the fact that they have never played anywhere and not been invited back. Such is the strength of their reputation as a quality live act, they have twice been asked to perform at the Homegrownfestival; the annual international showcase of the best of English folk music.
The trio’s melodic and hauntological storytelling, which is always underpinned by a firm commitment to classic songsmithery, has caught the attention and support of the likes of Steve Lamacq, Mark Radcliffe and Mike Harding on BBC Radio 2, Lopa Kothari and Nick Luscombe on BBC Radio 3, Folk Radio UK and many more international, national and regional broadcasters.
The band’s self-titled debut album received critical acclaim on its release in late 2011 and they collected excellent reviews for their contribution to the 2012 ‘Weirdlore’ compilation which highlighted Britain’s most promising practitioners of alternative folk. Their second album, All Life Is Here, was released in April 2014 and again received outstanding reviews, with the likes of fRoots magazine describing them as “undoubtedly one of the most vital and charismatic things happening in English folk music right now”.
The Doghouse at Arden Road Social Club
Advance tickets £9 available from Arden Rd, The Grayston Unity, Revo Records & www.doghouseuk.com
London based trio The Wave Pictures - Jonny Helm (drums), Dave Tattersall (guitar & vocals) and Franic Rozycki (bass) - return with their brand new album Bamboo Diner in The Rain due out on Moshi Moshi on 11 November. Following on from last year’s Billy Childish collaboration Great Big Flamingo Burning Moon and their recent acoustic record A Season in Hull, Bamboo Diner in the Rain sees The Wave Pictures battling against the robot music apocalypse. The new album is a bluesy, boozy love letter to the guitar, filled with American Primitive instrumentals, John Lee Hooker chugs and Link Wray style minor-key surf music.
As songwriter and guitarist Dave Tattersall explains:
This album is set in the Bamboo Diner of my dreams, with rain beating on the windows and a jukebox stocked with blues. We wanted to make an album as open-heartedly great as ‘’Boogie With Canned Heat’’ or “Rory Gallagher’’ by Rory Gallagher. We also love the American Primitives, John Fahey especially. What are The Wave Pictures but English Primitivists?
The Wave Pictures are strange: an indie rock band with absolutely no indie rock influences. For years, all we’ve listened to has been the classic blues and rock and roll of America in the 50s and 60s. And yet, we’re always disliked those retro acts who slavishly copy the look and the sound, the haircuts and the fonts of the past, but miss the unfettered spirit of the music they love. We have a style of our own already, the way your eyes have a colour. We don’t want to be a blues band. But the blues is there, at the invisible core of everything we do. We love it.
You see, these days the kids like their music to be made by machines, even when it pretends otherwise. The kids don’t seem to fear the machines (as I do, having been so profoundly affected at a young age by the first two Terminator movies) and so they happily switch on their computers and listen to robots singing. Well, one day those robots will rise up and kill us all. Listen instead, kids, to The Wave Pictures, the band that will someday soundtrack the resistance. We are the real thing, you know. The only reason the press haven’t noticed is that they are besotted with the machine music of robots, too. Ah, but no robot could swing the way Franic Rozycki swings his tugboat bass on a mighty blues-rock anthem such as “Now I Want To Hoover My Brain Clean” or “Panama Hat”, which will not sound right until it is heard crackling through a broken radio in a burned out basement after the robot apocalypse, a last little sign of human life on earth. The resistance starts here.
This is the most personal album I’ve made so far. In fact, that’s the whole idea of the band, to become more and more authentically ourselves on record. To grow inwards. Like everything on this dark and strange little album. It’s not robot music.
Archway Room at Arden Road Social Club
£8 members £9 full from Arden Rd, The Grayston Unity, Revo Records & www.doghouseuk.com
Taking place in the Archway Room at Arden Rd (limited capacity so advance tickets recommended). After 5 years of trying we've finally landed Las Kellies from Argentina.
“They boast what is clearly an encyclopaedic understanding of all the best bits of new wave both sides of the atlantic, plus the fortitude to throw the rulebook clean out the window and sometimes sound just like themselves.” NME
This year Fire is going to release 6th Las Kellies album, *Friends & Lovers*, with classic and mature post punk/rock
sounds and lyrics that browse between all sorts of ways of expressing love.
Starting November, Las Kellies are coming back to the Old World for the sixth time around Europe and UK !
Comprised of guitarist Ceci, drummer Sil and bassist Manu, Las Kellies cut their teeth on the Argentinian music scene, patterning their sound after the raw post-punk of 70's all-female groups like the Slits and the Raincoats. After releasing independently two punky dancey and new wave-inspired albums, Las Kellies signed in 2010 to Fire Records for their third outing, *Kellies*. In 2011 Fire released the 7" split *Erase you*, with both Las Kellies and ESG versions. In the next LP released by Fire, *Total Exposure*, dub and hip-hop influence turned the raw and wild post-punk of Las Kellies into a more elegant and shiny sound.
The Black Isle
"Epic” – Alternative Tracks.
Imagine if the Pixies and Smashing Pumpkins made a baby with Nirvana... It would sound a bit like The Black Isle. Trashy guitars, driven drums and Megan Reece's vocals inject a well needed shot of grunge into the minds of the X Factor Generation. Sick with the rat race and all its greed The Black Isle formed to act as an antidote, to energise the soul and escape from the mindless consumerism. It's not about achievements, fame and being stars. It's about how the music makes us feel.